I found Marty in an odd way; I was on Instagram and Kanye’s latest Yeezy Season had just premiered. Under my ‘suggested’, I found a video of some guy looking goofy as he inched his way closer and closer to Kanye for a photo. It was pretty funny to me so I clicked a couple more links and found myself on his Spotify page while thinking about braids in the hip hop game.

I listened to the project a few times and found myself really liking it. It was a refreshing approach on the hip hop scene that I wasn’t getting with some of the newer artists I had found. As I always do – I started to dig. Couldn’t find too much more than speculation of Marty being Ferg’s brother and that he had been Ferg’s hypeman for some time. He appeared on Ferg’s project ALWAYS STRIVE AND PROSPER with Lil Uzi on this track.


On twitter he’s goofy in a fun way as he has Kanye-esque stream of consciousness tweets like this: Screen Shot 2017-03-28 at 6.21.48 PM

Overall seems like he isn’t trying to ride the ASAP wave. Lets get into it.

RIP  – Prod by J Tell

Off the bat Marty has a nice flow. Beat selection is interesting. Vaguely middle eastern vibes and booming drums. Surprised he didn’t open the project with a trap beat since he’s so closely affiliated with the self proclaimed Trap Lord. Track definitely acts as an engaging and curiosity-piquing intro to the project.

Best part – he’s not boasting about fucking bitches or stunting. He’s talking about trying to make it in the game and how his old life is behind him.

Inferno – Prod by Lord Prynce

Spoke too soon on the trap beats but I ain’t mad. That first ‘skrrt’ really resonated with me. It was creepy sounding in a cool way due to the harmonies on it – sad that we didn’t hear more of them. His adlib game is strong; got some auto-tuned crooning in the back, some military stuff, and some good ol ‘skirrrrt’s. He introduces himself as part of the ASAP mob. The flow at some points is vaguely reminiscent of Travis’s flow on coordinate. Low key but I’m still engaged.

Best part – Adlibs. Duh.

Flex – Prod by Loot Franklin

Now this is a song about.. well flexing. Can’t say he didn’t tell us what we were getting into! In terms of style this definitely sounds like some classic ASAP shit. It’s energetic for sure and i think I hear a sample from Nelly in Dilemma going ‘oooh’. he really sounds like ferg on the last verse. If they’re brothers that explains it.

Best part – nice and energetic.

Everywhere We Go – Prod by Don Alfonso

Probably one of my favorites off the tape. The beat is really good, props to don alfonso. Flows are so good and he really shows he’s got bars. The hook is damn catchy too. I love that there isn’t an obscene amount of auto tune on the verses in an age where more projects have it rather than don’t. He really has a unique voice.

NYU – Prod By Staccs

this is my favorite track for sure. He’s just so versatile on the track. Beat selection is smart even though it’s not an especially intricate beat; his vocals just compliment it really well as the track is mostly 808s, drums, bells, and some ambient pads while his voice is higher and more melodic. feelin some bieber vibes here.

I liked the song so much I remixed it! After listening to my version so much this version seems really fast. Give it a listen:

Best part – I don’t know what to say.

Big Timers Feat. Asap Ferg – Prod. By Slade da monsta

Marty and ferg bro out on this track – it sounds like they might’ve had a good time but the track isn’t anything that stands out to me.

Rolly Two – Prod. By Ben Jayne

Not feeling this track either – sounds like a freestyle off the dome and I guess he says ‘I’m just trying to hit a 16 so I can hit the big screen’

Best part – the ‘bye byee!’ ad lib

Bag First – Prod. By Ben Jayne

This one is about the same as the last one but slightly better. It reminds me of a discount version of Shmurda’s Hot N*gga. Lyrically it’s better than Rolly Two but the beat isn’t of the same caliber as the rest of the project.

Ima Dog Feat. Asap Ferg x Migos – Prod. By Lord Prynce

Lighthearted and funny. Ferg’s on the track again with some great lines. We are graced with ATL’s finest, Migos.


Overall not bad. He made my list of people to watch as I think he could make a good project with his alternative angle and better beat selection. This project came off as a little bit juvenile but hey, it’s his first one! Always a lot more impressive when someone with access to high profile cosigns doesn’t drown their own project/get stuck in the shadow of their features. He’s been teasing some new music for a while and I hope he drops it soon!


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